Almost Famous (2000) Download - IMDB Top 50 Movies of the Last Decade

One of the favourite movies of all-time

IMDB Rating: 7.5

Finally, a movie worth the full price of a ticket! Almost Famous is Cameron Crowe's semi-autobigraphical story of an aspiring rock journalist who goes on tour with a band in the 1970's. If it sounds familiar, it's probably because the story is hardly new. There have been dozens of movies made about the rock and roll lifestyle: the drugs, the sex, the fights, and all the bumps on the road to success.

So what sets Almost Famous apart? The acting, for one. Frances McDormand was brilliant as William's (newcomer Patrick Fugit) well-meaning but overbearing mother. Fugit, for his part, had a convincing performance as the shy, awkward teenager struggling to be a journalist but at the same time aching to belong. Kate Hudson, in her breakout role as groupie "Penny Lane", gave her character depth beyond what might have been a limiting role. And Billy Crudup, as band Stillwater's charismatic lead guitarist, shines. Jason Lee is always good, and as Stillwater's lead singer, this role is no exception. And I can't review this film without giving a shout-out to the chronically and criminally-underrated Philip Seymour Hoffman, who steals every scene he's in with his portrayal of legendary rock journalist Lester Bangs.

The writing in the film also contributes to its effect. Many of the great lines belong to McDormand but there are plenty of others to go around. In addition, the music of the era can't be beat. Everything from Simon and Garfunkle to Alvin and the Chipmunks shows up at some point in the movie's extensive musical score.

The plot may not be particularly original, but it rings true. I of course am approaching this review as a music fan and someone interested in the industry. Nonetheless, I believe that even people who couldn't care less about rock music will enjoy this movie, since it's not so much about the music as it is about life. A central theme is the conflict of William: Should he remain a detached but lonely outsider so as to be an impartial journalist, or allow himself to make friends with these people and feel like he belongs? Aside from bringing up questions of journalistic ethics, this dilemma mirrors much of what people in all wakes of life deal with daily.

Almost Famous is realistic, funny, touching, and one of those rare movies that makes you feel like you've gained something just for having seen it. It's too bad that they say rock and roll is dead, cause we could sure use more movies like this one!

The Bourne Ultimatum download HD print

The Bourne Ultimatum concludes the trilogy that started with Bourne Identity in which a man (Jason, the eponymous Bourne), shot and left for dead in the sea, found himself unable to remember who he was, and so started a quest to find and recover his lost identity, as well as to discover his own past and attempt to remedy the wrong done. Thus began a thrilling series which featured relentless action and frenetic chase scenes that covered three continents and which, once started, never let go of you as a viewer.

The Bournd Ultimatum is to my mind the best of three, it features some of the best action sequences seen, for example, the tight, well-paced, and supremely well-done scene at the Waterloo station. It brings a satisfactory conclusion to the trilogy that leaves you exalted, but still somewhat saddened at the journey he had to undertake, his discovery and the cost to him. If I want to nit-pick, I'd say that the Tangier chase and fight scenes went on just a little too long, and the relationship between Nicky and Jason was never fully explained. The Bourne Supremacy is I think the weakest of the three, primarily because of the sheer illogicality of the plot - if Abbott (Brian Cox) had a secret so grave that he would kill his own man and himself over it, then surely he would have killed Jason Bourne when he have the chance to do so in the first film. It does, however, feature the best car chase sequence (the Moscow one) I have ever seen. Many people have complained about the shaky camera technique, but apart from a couple of moments which I found irritating in Bourne Supremacy, it had worked pretty well in general, especially in the Waterloo scene as it heightened the confusion, agitation and tension of the moment.

If we want to see the point of the film, it is what Jason Bourne said to the Paz who asked him why Bourne didn't shoot him when he can - "Look at us. Look at what they make you give.", echoing the same words said by the dying Professor in Bourne Identity (a rather nice link back to the first film). He was asking Paz to reflect on what he has given (his whole life, his own judgement, and above all, his humanity) for the cause he has undertaken, the unquestioned surrender of his self to a higher power to be used as it so wished, and implicit in it a question if this is the right thing to do. Bourne himself discovered the limits of how far he can sacrifice his humanity when, at the assassination attempt of Wombosi, he was faced with having to kill the children (since there must be no survivors who can bear witness to Wombosi's killing). This, he decided, he would not give, and is what ultimately saved him as a person even if his hesitation nearly cost him his life.

Some may read the film as a very specific (and I think, very parochial) attack on the CIA, however, I would see this as of more general relevance to someone in the service of any organisation (perhaps a governmental or secret service one on one side, or a terrorist organisation on the other) that demands certain sacrifice of their humanity for what they do. Read the terrible events in the news that occurred regularly all over the world (perhaps another bombing in Iraq, or Burmese soldiers killing monks) and wondered perhaps if the ones who perpetrated the dreadful deeds at the behest of their organisation would just reflect on this - "Look at what they make you give"?

The film also questions whether any organisation, given untrammelled power, would exercise their power in a responsible way. And if you are prepared to give your all to that organisation, would your trust be abused?

But let's not get too carried away with philosophising. This film is, ultimately, an action-packed entertaining film, and as such, it is a great success. It is a fitting end to the Bourne stories, but, do I want another one? Well, perhaps yes. There is the risk any new film may ruin what is a near-perfect series, but I think these three will stand on their own as a discrete trilogy, and anything else will be a bonus.

Amélie 2001 - IMDB top 50 Movies of the Last Decade

She'll make YOU fall in love too!


IMDB Rating: 8.5

To start off with, I heard a lot of good things about this movie when it was on the big screens but never got around to see it before it disappeared. Sitting here, long after in the aftermath, I might never forgive myself for missing that opportunity. Eventually I did get around to see it, though a small TV never does a film the same justice a theater does, and being a bit sceptic about the small hype this movie caused made me prejudice about it, but I must say I have never been so wrong before. And I am happy saying it.

This movies biggest crime, and yet its biggest asset, is that it is in French. Subtitles just does not bring full justice to a movie like this, and it is bound to scare off most of the audience not used to subtitled movies. Sad to say so, but I believe it is the truth. I do not know any French at all, but I sure wish I was fluent watching this movie!

Compared to most other films "Amelie" (and I will stick to "Amelie" since "Le Fabuleux destin d'Amélie Poulain" is a bit long to write) is based on a rather ordinary and plain story everyone can relate to, but it is given to us in a very special kind of way, mixed with wonderful little subplots and an almost chaotic amount of details. We get to see and experience the world and especially Paris through the filtering eyes and fantasy of Amelie, A Paris that might feel small and limited on the screen but in fact is just as big as it is in the eyes of Amelie.

Director Jean-Pierre Jeunet brings to life the world of Amelie with colors, masterful camerawork and a few special effects (Well, I have certainly felt like melting a couple of times too in my life!). Some people I spoke to before seeing "Amelie" criticized it for being too childish and unrealistic, but I believe it is an essential part of the movie since Amelie herself is a very childish and imaginative young girl. She just happens to fall in love one day when she decides to embark on a quest. Jean-Pierre Jeunet manages to bring us along without losing control of the set or the plot. It is exactly this kind of movie that could easily be overdone and lose all of its magic in the hands of the wrong person, but Jean-Pierre Jeunet never slips a single time. For you who think you never heard of him before he is actually the same man who brought us "Alien 4" back in 1997, (I still refuse to believe he was involved in that horrible film...), and the wonderful "Delicatessen" in 1991.

Audrey Tautou could not be overemphasized for her importance in portraying Amelie. I am a bit embarrassed admitting it but I was almost falling in love with Amelie myself, forgetting she was only fiction on the screen. However she does not carry "Amelie" solely by herself. The cast makes an excellent whole and it is hard imagining switching anyone without affecting the whole outcome. Everyone manages to make the most out of their role and even though we only get to know some of them briefly they come alive just as much as Amelie herself does.

I could go on forever about "Amelie". It contains so many details and switches in tempo and camerawork it has to be seen more than once to take in and understand everything. Damn it, "Amelie" made me happy, laughing out loud at times, and very few movies affects me like that.

I very rarely give movies a 10, and I was indeed considering a 9 for a while, but for me this is one of those movies I will come back to time after time. Long after the CG thrills of hyped fantasy movies and big budget Hollywood productions have faded and been forgotten, Amelie will still be jumping around in my heart, doing all those silly and charming little things I wish I dared to do too...

Inglourious Basterds download

I must admit when I saw the preview for "Inglorious Basterds" I gave myself big expectations. THIS FILM DID NOT Disappoint.

Rarely when I watch a movie with such high-expectations do I have those expectations met or exceeded; this film did that and more. Even more rarely do I clap at the end of a movie, this I and everyone else in the theater did.

I have to say I am a little biased towards Quentin, I grew up with "Pulp Fiction." I watched it when I was 12 and it is still my favorite and most influential film.

However, since then Quentin has not really lived up to his billing. His style was getting a little predictable instead of familiar, the quality honestly wasn't there (I never watched Jackie Brown, and then there's Grindhouse). That is until "Inglorious Basterds." What Quentin did was exactly what was needed for the war genre, a spaghetti western feel that could only be done by Tarantino or Sergio Leone, but seeing how Leone is dead, Tarantino's the self appointed guy on this masterpiece.

So let's look at the movie which I won't give away. The writing was spot on, a beautiful transition between using not one but four different languages in this movie. Not to mention this movie was set up in the classic Tarantino mold, great scenes of rich meaningful dialog and sudden shocking action.

The acting was superb!! Christopher Waltz deserves an Oscar, seriously. I don't say that often, but honestly the man should get one for this movie, he spoke every language in this movie, and delivered with such amazing touch and poise. He stole the show in a movie that everybody was amazingly impressive.

I have no problem building this movie up, because this movie is the best film I've seen all year, and probably all of next year. Quite frankly the more I think about it, this movie may crack my top films of all time, and is Quentin's best movie since "Pulp Fiction." Take it from me, watch this film. I loved it doesn't do this movie enough justice.

I watched it yesterday and I'm still blown away. Thank you Quentin from the bottom of my heart for you making this movie. You're back on top again buddy. I can't say enough for "Inglorious Basterds!"

Indiana Jones and the Last Crusade download

Indiana Jones And The Last Crusade was, in my opinion, the best movie of the Indiana Jones trilogy. This movie featured the same type of humor we have become accustomed to from Jones, as well as another beautiful woman (also probably the best Indy girl) and lots of great action scenes! This movie starts off with a teenage Indy (River Phoenix) which gives us a look at an event that molds his life and character as well as his relationship with his father, Henry (Sean Connery). We also learn he is a "Junior" and that he hates to be called that.

Back as an adult, Indy's father is kidnapped and he must set out to find him. His only clues are his father's diary notes, which were mysteriously sent to him earlier that day. They lead him to Italy, where he meets the gorgeous blonde, Dr. Elsa Schneider (Alison Doody), who becomes an integral part of this story.

Once again, the grown up Indy (Harrison Ford) does battle with the Nazis. Apparently, Adolf Hitler is after the Holy Grail, which contains the blood of Christ. So Indiana and his father team up to get there first. Along the way, there is a great action scene where Jones fights a few Nazis on board a moving tank.

Overall, as I mentioned earlier, I believe this to be the best Indiana Jones movie of the three. This action movie was good long before movie studios learned to make the great CGI and special effects. It's effects were pretty good anyways but back in 1989, things just did not look as good as they can make them today. Still, highly recommended and worth your time. 9.5/10

City of God - IMDB Top 50 Movies of the decade(2000-2009)

Stunning - in every sense of the word

IMDB Rating : 8.7

Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.

Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.

The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.

Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.

The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.

The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.